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首届以“架上、样板”为主题的成都双年展,使“架上艺术”突然成为美术界的一个话题,这让人感到突兀,好像一个不守规矩的购物者排队“加塞”,带有一股蛮不讲理的霸气。在中国当代艺术的逻辑关系中,“架上”没有理由享受这样的礼遇。问题在于,成都以“架上”为主题的展览居然闹出了很大的响动,批评家闻风云集,艺术家趋之若骛,媒体闹不清发生了什么事,蓬嚓嚓跟在后面起哄,各路人马硬是在成都赶了一个沸沸扬扬的“架上”的大集。
The first Chengdu Biennale with the theme of “Shelving, Model” made “Art on Shelves” suddenly become a topic in the art world. This makes people feel abrupt, as if an unruly shopper lined up in “Garcelle” There is a very unreasonable domineering. In the logic of contemporary Chinese art, there is no reason to justify this courtesy. The problem is that in Chengdu, the exhibition on the theme of “shelving” actually made a big noise. Critics gathered in the air, artists flock to the throng and the media did not know what happened. , All walks of life hard to catch up in Chengdu, an uproar of the “rack” of the big set.