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由于一些将现代和传统割裂开的两元对立思想,使得现代漆艺在继承和发展的道路上受到阻碍。但是,传统漆画虽然有着鲜明的个性,却不得不承认它只追求“工艺性”却没有明显“艺术性”的局限性已经不易适应当代人审美的发展趋势。漆画艺术的工艺性特质和绘画性特质是“形”与“神”的关系,一副好的作品着重的是画面的意境,有的时候要忽略常规的形式感和惊艳的传统技法。而新思想的植入和新材料的结合才使得漆画的绘画方式逐渐多元化。石板这一新材质的初尝使得绘画者对漆艺本身有了新的思考。而银箔这一传统镶嵌材料将如何与新板材相辅相成地使用?本文从漆的出现到银箔的结合使用,全方位地论证了银箔的使用工艺能成为当下石板漆画创作的重要手段。同时也在经过了反复的尝试后总结了银箔在漆板这一材质中能够达到的不同画味。
Because of the dichotomy between modernity and tradition, modern lacquer art has been hampered on the path of succession and development. However, although the traditional lacquer has a distinct personality, it has to admit that it is not easy to adapt itself to the aesthetic trend of the contemporary people because it only pursues the “craftwork” but does not have obvious “artistic” limitations. The artistic and pictorial qualities of lacquer art are the relationship between “shape ” and “god ”. A good piece of work emphasizes the artistic conception of the picture. Sometimes, it is necessary to ignore the conventional sense of formality and the striking Traditional techniques. The combination of new ideas and new materials makes the paint painting gradually diversified. The initial taste of this new material of stone makes the painter have new thinking on the paint art itself. The traditional inlaid silver foil materials and how the new plate will complement each other to use? This article from the appearance of paint to the combined use of silver foil, a comprehensive demonstration of the use of silver foil can become the moment the important means of slate lacquer painting. At the same time also after repeated attempts to summarize the silver foil in the paint of this material can achieve different taste.