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俗话说,盛世收藏,而近期的中国当代书画市场却是相当低迷。从张大千的《桃源图》到潘天寿的《鹰山石花图》,再到李可染的《漫山红遍》,那都是属于近现代的一个又一个神话。2007年到2014年书画圈的盛况不复存在,资本对于中国当前艺术市场的冷静态度使得当下的画家与机构的纠缠越来越焦灼。正所谓一步错步步错,资本也不是没有痛觉。如今的低谷并不是高潮后正常回落,而
As the saying goes, Golden Age collection, and the recent Chinese contemporary painting and calligraphy market is rather sluggish. From Zhang Taqian’s “Taoyuan map” to Pan Tianshou’s “Ying Shan stone map”, and then to Li Keran’s “diffuse mountains and rivers,” all belong to one after another modern myth. The grand occasion of the painting and calligraphy circle from 2007 to 2014 ceased to exist, and the calm of the capital for the current Chinese art market made the present painters and institutions increasingly anxious. The so-called step by step wrong, the capital is not without pain. Today’s trough is not normally ebb after the climax, and