当我们在看戏时我们在看什么——评庐剧新作《孔雀东南飞》之“焦仲卿妻”

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在广州、合肥几年的看戏生涯中,烂戏偶遇,好戏难得,大多却是索然无味的。一戏散场,穿梭于三两人群,流连于微博、微信,常闻常见对戏只言片语的评价。大多感性而直接,文辞朴素而简单。然而时常会有这样的疑惑甚至恐慌:众人拍案叫绝你觉得索然无味,你泪眼婆娑而旁人无动于衷。看戏自然是一件个人的事情,我一直坚信除了戏本身之外,观众个人的经历性格审美,甚至当天的季节心情,剧场内的空调温度,都会影响我们 In Guangzhou, Hefei years of theater career, rotten drama encounters, play a rare, most are boring. A playout, shuttle in thirty-two people, hang around in Weibo, WeChat, often heard the common words of the game evaluation. Mostly emotional and direct, simple and simple rhetoric. However, there are often such doubts and even panic attacks: You do not want to make a fool of yourself, you tearful and others indifferent. It is natural to see the play as a personal event. I have always believed that in addition to the drama itself, the personal experience of the audience is aesthetic, even the seasonal mood of the day and the temperature of the air conditioner in the theater will affect us
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