真正的艺术家,作品即内心思想的代言。观其作品一如与之对话。证诸李大师1989年著作的《中国绘画与发展》一书,遂提出中国画创作理念的四个重点,即:一是民族艺术形式的再建立,不论是技法、表现内容或形式,必须确立中国绘画风格的尊贵性,且不可失去“生动”的活力;二是对外来文化的刺激,以“容”与“化”的态度,补充日渐枯竭的创作能力,使固有之美学观茁壮发展,不再偏食,否则不再进化的美学,仅可列为次等文化的产品;三是认识生活的本质,对于国画的创作精神,要纳入生活需要中,确立艺术的平常化,而不是有 Real artists, works that endorse inner thoughts. View the works as dialogue with them. In his book, “Chinese Painting and Development,” in his 1989 book, Master Li put forth four focuses on the concept of Chinese painting: First, the re-establishment of the national art form, whether in terms of technique, content or form, must establish China Painting style of the noble, and can not lose the “vivid ” vitality; the second is the stimulation of foreign culture, “capacity ” and “” attitude, complement the increasingly depleted creative ability, Aesthetics thrives, no longer partial eclipse, or no longer evolves aesthetics, can only be classified as secondary culture products; third is to understand the essence of life, for the creative spirit of Chinese painting, to be included in the needs of life, to establish the normalization of art , Not yes