人们对每个词(符号)都必然地或多或少塞进一些自己的经验或想象成份。没有一个符号(词)是纯净的。 艺术作品应该诞生在惊奇之中,惊奇之后要么感到再生;要么就是拒绝后的恶心。 文字语言的结构(语法)是硬性的、约定俗成的,而绘画语言的结构却是私有的。 如果绘画语言也有规则的话,则其规则的属性是其不确定性,一个按硬性规则去画画的人是画匠而不是艺术家。 Each word (symbol) must be more or less into some of their own experience or imagination. No symbol (word) is pure. Works of art should be born in astonishment, either after the start of a sense of regeneration, or after the refusal of nausea. The structure of grammar (grammar) is rigid and conventional, while the structure of the language of painting is private. If the language of painting also has rules, then the nature of its rules is its uncertainty. A hard-drawn person is a painter rather than an artist.