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本论文以中国油画发展史为写作背景,探讨在改革开放的时代背景下,油画的现状以及所面临的创新和发展的问题,重点分析当下中国油画创作所遵循的审美要求以及独特内涵的自我表达。油画各门类、派别繁多,思想观念存在差异,因而矛盾与争论一直存在。油画以其特有的魅力,丰富的内涵,强大的表现力而屹立于世界艺术之林。中国广大的油画工作者,仍然需要不断地自省和研究,改革与创新,使中国的油画创作进入一个有意义、有质量的新时期。
This dissertation takes the history of the development of Chinese oil painting as the writing background, discusses the present situation of oil painting and the problems of innovation and development faced by it in the era of reform and opening up. It mainly analyzes the aesthetic requirements and the self-expression of unique connotation . There are various types of oil paintings, many different factions and different ideological concepts, so conflicts and disputes have always existed. Oil painting with its unique charm, rich content, a strong expression of standing in the world of art forest. The vast number of Chinese oil painting workers still need constant introspection and research, reform and innovation so that Chinese oil painting will enter a new period of significance and quality.