我是在第一次见到李宽的作品时就被深深吸引了。那时近二十年前,是一幅名叫《大风筝》的画面。丰腴生动的人物造型,鲜明的陕北地域特色,对比强烈的色彩运用,梦幻般的整体效果,把读者唤回渐行渐远却愈来愈清晰熟悉的童年,朴素的情感,泥土的气息扑面而来。当时我只 I was deeply attracted to the first time I saw Li Kuan’s work. Nearly twenty years ago, there was a picture called “Big Kite.” Vivid character modeling, distinctive characteristics of northern Shaanxi, the use of intense color contrast, the fantastic overall effect of the reader recalled backwards but more and more clear and familiar childhood, simple emotion, breath of the soil blowing Come. At that time I only