在我的记忆中,我与书法之缘要早于与文学之缘。三岁时,父亲让我练毛笔字,五岁时,才让我背《千家诗》。整个小学时期,课余时间除了写作业就是临帖习字,而对于文学,仅仅是背了几首唐诗宋词和写过一些作文而已。到了大学,我开始尝试文学创作,陆续发表了一些散文小说之类的文字,毛笔便放下了。虽然文革时期也用毛笔写过大字报,但那算不上是书法作品,倒是后来有几篇发表过的作品尚可一看。 In my memory, my affinity with calligraphy is earlier than that with literature. At the age of three, my father taught me to practice writing brush. When I was five, I let my back “a thousand poems.” Throughout primary school, in addition to homework in addition to writing homework is a temporary quote, and for literature, just back a few poems and wrote a few poems only. At college, I started experimenting with literary creation and published some prose and fiction writing. The writing brush was put down. Although the Great Cultural Revolution also wrote a large poster with a brush, but it was not a calligraphy. It touches on how many published works can still be seen later.