福建京剧院来台湾演出多次,一开始没太在意,以为福建的京剧水平大概和台湾差不多。一看大为惊喜,阵容齐全,而且非常年轻,张美超、李海宁都还是个小女孩,唱起大戏流派特色鲜明,一点都不含糊。那天下午看张美超《状元媒》,晚上再整出《四郎探母》,张派到底,浏亮明畅,跌宕多姿。刘泳勃学自宋丹菊老师的《改容战父》,文武双全,速度、冲劲里,有美有柔,既脆且媚。李海宁的《春草闯堂》当然是刘长瑜老师路 Fujian Peking Opera Theater performed many times in Taiwan. At the beginning, it did not care too much about the level of Peking Opera in Fujian Province being about the same as that in Taiwan. A look great surprise, the lineup, and very young, Zhang Meichao, Li Haining are still a little girl, sing the opera genre distinctive, not at all vague. That afternoon Zhang Mei Chao “champion media,” at night and then reorganize the “Si Lang exploration of the mother,” Zhang sent in the end, Liu Liang Ming Chang, ups and downs. Liu Yong Bo learned from Song Danju teacher “change capacity father”, civil and military double, speed, momentum, there is the United States and soft, both crisp and Mei. Li Haining’s “Spring Grass” is of course Liu Changyu teacher road