晚清以前,青藤、雪个、大涤子、缶翁造文人画之极,晚清以降,文人画向何处去,遂成一大时代问题。白石齐翁题其《老萍诗草》云:青藤、雪个、大涤子之画,能纵横涂抹,余心极服之,恨不生前三百年,或为诸君磨墨展纸。诸君不纳,余于门外饿而不去,亦快事也。其《题秋梨细腰蜂》云:白石与雪个同肝胆,不学而似,此天地鬼神能洞鉴者,后世有聪明人必谓白石非妄语。 Before late Qing Dynasty, Ivy, Snow, Dicaisi, Dao Weng made the literati paintings extremely, late Qing dynasty, literati paintings where to go, then became a major issue of the times. Whitehead Qi Weng title of its “Laoting poem grass” cloud: Ivy, snow, Dicaisi painting, can be vertical and horizontal smear, I heart extremely convinced, hate three hundred years before his death, . Adulteress does not accept, more than hungry at the door, but also fast things too. The “question autumn Pear bee” cloud: Whitehead and snow with liver and gallbladder, do not learn and like, this world to spirits insight, later generations of smart people will be referred to Baishi non-false language.