自20世纪90年代以来,我国的美术馆数量与日俱增,除了一些私人设立的民营美术馆和享有政府间接支持的民营美术馆外,由政府设立的全额或差额拨款性国有美术馆在近十年来呈现出场馆多、基础设施强、办馆主体多元化等特征,将中国推向了“美术馆时代”。但伴随着美术馆的迅速成长,历史遗留的弊病多少阻碍了美术馆的发展,尤其是作为美术馆根基的典藏,所面临的问题更是随着时间的推移日趋显现,从零藏品 Since the 1990s, the number of art galleries in China has been increasing. Apart from privately-run private art galleries and private art galleries with indirect government support, the state-owned art museum funded by the government in the full or short-term allocation has been in the past decade Showing a large number of venues, strong infrastructure, diversification of the main office features such as China to the “Museum of Art era.” However, with the rapid growth of art galleries, the defects left over by history have hindered the development of art galleries. In particular, as the foundation of art galleries, the problems they face are becoming more and more obvious over time. From zero collections