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苏轼以其高瞻远瞩的洞察和高屋见瓴的智慧,开创文人画美学思想,推动着中国文人画发展的历史进程,引领自宋以后中国山水画发展的主流方向。他的山水画美学思想,对开拓当代中国山水画新境界,具有启示性意义。笔者试图对苏轼绘画美学思想进行再挖掘和重新认识,与巴蜀同仁共享苏轼美学思想的成果,以期为当代巴蜀山水画风的建构寻找理论依据。
Su Shi, with its far-sighted insight and high-profile wisdom, pioneered aesthetics of literati painting, promoted the historical process of the development of Chinese literati painting and led the mainstream of the development of Chinese landscape painting since the Song Dynasty. His aesthetic thoughts of landscape painting have enlightening implications for developing a new realm of contemporary Chinese landscape painting. The author attempts to re-excavate and re-understand the aesthetic thoughts of Su Shi’s painting and share the fruits of Su Shi’s aesthetic thoughts with his colleagues in Bashu for a theoretical basis for the construction of contemporary Bashu landscape painting style.