中山装的创制与现代旗袍的诞生同始于上世纪20年代,随后迅速发展成为中国男女的流行服装,以后的人们甚至对其用了“国服”或“现代民族服装”的称谓。有意思的是,在西方现代主义的背景下,中山服以对西洋或东洋制服的改造,旗袍以对满族妇女传统长袍的改造而成为中国服装“兼收并蓄”的现代性代表,也使中国有了现代意义上的时装。 The creation of the tunic and the birth of the modern cheongsam started in the 1920s and then rapidly developed into the popular clothing for both men and women in China. Later people even used the title of “national costume” or “modern national costume” . Interestingly, under the background of Western modernism, Zhongshan took the transformation of the uniform of the West or the East. The cheongsam became the representative of the modernity of Chinese clothing and “all-embracing” with the transformation of Manchu women’s traditional robe, The modern sense of fashion.