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“窗含西岭千秋雪,门泊东吴万里船”。诗人透过一门一窗体会到无限的空间与时间,通过庭院窗户、挂落栏干所构成的框格来欣赏外界的景物,吐纳远近的空间,这是中国人特殊的审美方式。在中国古典园林中门窗轩豁、廊墙留虚,就能打破封闭局促的格局,由小空间进入大空间,赋予开敞空灵的美感。如果将这种“隔”与“透”统一的传统审美理念用于花艺设计当中,将会极大地丰富设计的语言,产生的境界也会更加深邃、空灵。
“Window with Xiling snow, gate Bo Wu Wanli ship.” Through one window, poets realize unlimited space and time, appreciate the outside scenery through the courtyard windows and hang the grid formed by the barbarians, and breathe the distant and distant space. This is a special aesthetic way of Chinese people. In the classical Chinese gardens in the doors and windows Hin Xuan, Lang Gallery emptiness, you can break the closed cramped pattern, from a small space into the big space, giving the open ethereal beauty. If we use the traditional concept of “separation” and “penetration” of traditional aesthetic ideas in floral design, it will greatly enrich the design language and the realm of creation will be more profound and ethereal.