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中国画的用笔是中国文人的哲学思想和方法论的高度结晶之一,既是国画的造型手段,又是表现精神的载体。油画的用笔是为“形与色”的重要表现手段,他能表现出间家作画时的情绪、情格、心态等。用笔本身就有不断运动性,它是永不停息的中西古典绘画大系统中一个有机的发展部分,它仅仅是艺术史某一时段的内容,它的存在与发展必须以促进其运动变化的社会形态为动力,而相互吸收相互生存。
The brushwork of Chinese painting is one of the highly crystallized philosophies and methodologies of Chinese literati. It is both a styling means of traditional Chinese painting and a carrier of spiritual expression. The pen of oil painting is an important expression means for “shape and color”, and he can show emotions, emotions, mentality and the like when painting between paintings. The pen itself has continuous movement. It is an organic development part of the never-ending Chinese-Western classical painting system. It is only a period of art history. Its existence and development must be based on the promotion of its movement Social forms are motivation, and mutual absorption and mutual survival.