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在人类学研究中,人们注意到在通讯传播手段不发达的时代,居于主体地位的文化对异质文化的“误读”所产生的影响。由于主体的态度和出发点不同,这种误读带来的结果可能是消极的,也可能是积极的。19—20世纪之交,东方和西方的艺术家都曾把向对方汲取灵感作为自由发挥其创造力一种途径,其中,凡高对日本艺术的迷恋,可以视为具有积极意义的浪漫误读中最广为人知和脍炙人口的一例。在凡高心目中日本成了理想的隐喻,现实和艺术都那样美好、明快和饱含智慧,而欧洲文化所有的弊端都与之无涉。
In the anthropological research, people noticed the impact of the dominant status of the “misreading” of heterogeneous cultures in the era of underdeveloped communication. Due to the different attitudes and starting points of the subject, the result of such misreading may be negative or positive. At the turn of the 19th and 20th centuries, both East and West artists took inspiration from each other as a way to exert their creativity freely, of which Van Gogh’s infatuation with Japanese art can be regarded as positive romantic misreading One of the most widely known and well-known. Japan has become an ideal metaphor in Van Gogh’s eyes. Both reality and art are so beautiful, lively and full of wisdom that all the disadvantages of European culture are irrelevant.