书法的多样化趋向,为不同的观念所滋生,除开那种根本否定汉字为基本元素的“创新”难以归入书法艺术范畴,真正的多样,应是我们书法艺术丰富、成熟、博大精深的一个标志。以隶书论,清代隶书不是汉代隶书的重复出现,其中就有观念上的区别。汉以后至清的一千几百年,经历了楷书(包括魏体)的成熟,行草书的繁衍,甲骨文的发现,经过了无数书法家的积累,流派的递嬗,因此当着金农、郑簠、何绍基、邓石如等等大师握管的时候,在此以前一千几百年间的书法发展史必定要起作用,必定不会简单地重复汉 The diverse trend of calligraphy, for different concepts of breeding, in addition to the kind of basic denial of Chinese characters as the basic element “innovation ” is difficult to fall into the category of calligraphy, truly diverse, should be our calligraphy art rich, mature, profound A sign. With the official scripture theory, the official scriptures of the Qing Dynasty were not the repeated appearances of the official scriptures of the Han Dynasty, among which there were notable differences in concept. After the Han Dynasty to the Qing Dynasty a few hundred years, experienced regular script (including the Wei body) maturity, cursive script propagation, Oracle’s discovery, after countless calligrapher’s accumulation, genre evolution, so in the gold farmers, Zheng 簠, He Shaoji, Deng Shiru and other masters of the time when the history of calligraphy in the past few hundred years must work, must not simply repeat