我们强调书法对中国画的影响，主要着重于书法用笔对中国画的影响。自唐代张彦远提出了“书画异名而同体”，“同源而异流”之说后，“书画同源”说特别是在近几年越来越流行，好像绘画已不再是画家的事，而是书法家的事。加之近现代一些有影响的画家，许多是从学书法入手，如 We emphasize the impact of calligraphy on Chinese painting, mainly focusing on the impact of calligraphy pen on Chinese painting. Since the introduction of Zhang Yan-yuan’s “calligraphy and painting of the same name but of the same body” and “the same origin and of different origins” in the Tang Dynasty, the theory of “homology of painting and calligraphy” has become more and more popular, especially in recent years. It seems that painting is no longer a painter Things, but calligrapher things. In addition, some influential painters in modern times, many start from learning calligraphy, such as