“隐性类型化倾向”的角色创造,常常是依托于某种规定的“情境”而存在,是对某一特定的任务和情境的整体把握。这样的人物形象创造,相较于演员的“显性”本身而言,实际上就为戏剧人物角色打上了鲜明的隐性类型化特征。这种隐性类型化的突出特点就是:在其“道德特征”和“性格特征”上往往会保持着“惊人”的一致性,并且无一例外地淹没在汩汩流淌的事件流变中,使其走向同一条道路,同一个结局,从而使受众在“缄默”和“意会”的审美过程中来接受角色,感知剧情。 The creation of the role of “implicitly typed tendency” is often based on certain stipulated “situation ”, and it is the overall grasp of a specific task and situation. Such a character image creation actually poses a distinctive implicitly typed character for drama characters compared to the actor’s “dominance” itself. The salient feature of this implicit typeification is that it tends to be “astonishingly consistent” in its “moral characteristics” and “personality traits”, and without exception it is submerged in the flowing Event changes, making it to the same road, the same ending, so that the audience in the “silent” and “meaning” aesthetic process to accept the role and perception of the plot.