数十年来,杜利特尔总是作为艾兹拉·庞德意象派诗歌的追随者被收入文集,因此世人最熟识的也只是她的早期诗歌——那些以鲜明意象和简洁语言为特征的意象诗。其实她的声音最终远远冲出了意象派的局囿,在二战史诗《三部曲》中,她展示了长长的诗行与一唱三叹的描述。 For decades, Doolittle was always included as a follower of the poetry of Ezra Pound’s Imagist, so the world’s best-known is only her early poetry - features of vivid images and concise language Imagist poetry. In fact, her voice finally fled far beyond the bureaucratic imagination. In the Epic Trilogy of World War II, she showed long descriptions of poem lines and singing.