“伏生授经”是中国画坛常画不衰的古老绘画题材。然而对于它的研究,目前尚未受到应有的重视。本文选取了展子虔、王维、杜堇以及崔子忠的《伏生授经图》作为代表,通过对历朝历代的“伏生”这一经典的图式结构进行分类和对比,探究人物造型的审美样式,笔墨语言的特征及成因;其次,将作品放在当时特定的时代背景下,联系画者特定的社会境遇、思想情感,力图还原作品真实的动机功能及学术价值。 “Vientiane Zhūtra” is an ancient painting theme that Chinese painting is not bad at painting. However, its research is not yet given due attention. In this paper, we choose the “Vasheng Prescription” by Zhai Zhai, Wang Wei, Du Fu and Cui Zizhong as the representatives. By classifying and comparing the classical graphic structure of the “Dynasties” The aesthetic style of the style, the characteristics and reasons of the pen-and-ink language. Secondly, the work is put into context of the specific era at that time, and the specific social situation and the emotion of the artist are contacted to restore the true motivation and academic value of the work.