在日本艺术家河井美咲的作品中,纸板、织物、日常现成品以及旅行所得的工艺纪念品等廉价的材料,都轻巧地呈现着她的生活,旅行及情感的内在宇宙。那些从她生活中走出的人物、动物的形象,通过清晰的线条、稚拙的笔触和饱满的原色描绘出来。她善于在绘画中运用抽象的概括和粗糙的手工呈现出各种有趣味的形体,饱含朴素的童真童趣。在创作时,她相信感性大于技术,借鉴了日本“heta-uma”(技巧稚拙 In the works of Japanese artist Kawase Miho, cheap materials such as cardboard, fabrics, everyday ready-mades, and craft souvenirs for travel are all lightly presented by the inner universe of her life, travel and emotions. The characters, animals, who have come out of her life are portrayed in clear lines, immature brushstrokes and full of primary colors. She is good at using abstraction and rough hand-painted in the painting of all kinds of interesting body, full of simple childlike innocence. At the time of writing, she believes that sensibility is greater than technology and draws on Japan’s “heta-uma”