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本文尝试从戏曲与礼乐文化的关系入手,来探讨清代地方官府演剧的戏曲史意义。文章认为,清代地方官府的戏曲活动主要有祭祀演剧、万寿庆典演剧及署宅堂会演剧三种类型;这些戏曲活动虽然功能、特点各异,但从礼乐视角看实际上都是一种配合地方诸礼而演的“乐”;而各地官方仪式用乐的戏曲化,既是清代礼乐与戏曲交互发展演变的结果,同时又反过来对清代戏曲的生存和发展产生了积极的影响。
This article attempts to start with the relationship between opera and ritual and musical culture to explore the significance of opera history in the local government drama in Qing Dynasty. The article argues that the opera activities of the local government in the Qing Dynasty are mainly three types of sacrificial drama, the celebration of Wanshou festival and the drama of the house hall. Although these traditional opera activities have different functions and characteristics, they are actually A kind of “music” which plays in conjunction with local ceremonies; and the dramatization of the official ritual music everywhere is not only the result of the interactive development and evolution of the ritual music and drama in the Qing Dynasty, but also the survival and development of the opera in the Qing Dynasty Had a positive impact.