论文部分内容阅读
The Shanghai tabloid press has gained growing scholarly attention in the recent decade.Wanxiao xiaobao (All-Seeing Tabloid) is another major publication to deal with this fascinating form of popular print press that flourished in late Qing and Republican China.Earlier studies have explored the Shanghai tabloid press as a platform for popular literature (Li Nan 李楠,Wan Qing,Minguo shiqi Shanghai xiaobao yanjiu [A study of the Shanghai tabloid press in the late Qing and Republican period],Beijing:Renmin wenxue chubanshe,2005),as an important part of media history in mod China (Hong Yu 洪煜,Jindai Shanghai xiaobao yu shimin wenhua yanjiu,1897-1937 [A study of the tabloid press and popular culture in modem Shanghai,1897-1937],Shanghai:Shanghai shudian,2007),as a mirror of a flowering Shanghai-based entertainment culture (Catherine Yeh,“Shanghai Leisure,Print Entertainment,and the Tabloids,xiaobao," in Rudolf G.Wagner,ed.,Joining the Global Public:Word,Image,and City in Early Chinese Newspapers,1870-1910,Albany:SUNY Press,2007,201-33),and as an altative site for political expressions (Wang Juan,Merry Laughter and Angry Curses:The Shanghai Tabloid Press,1897-1911,Toronto:UBC Press,2012).