把款书夹杂于画面景物之中的,称夹画款。唐时就已有以小字题藏于画上的树根石罅间,渐成风气。清代郑板桥也常题于竹间梅中或兰石之际。他在“墨竹图”上的款书就题在石上,与山石的纹理融为一体,既是题跋,又象皱纹,虚实相映,造成变化统一的效果。潘天寿也常藏字于巨石花卉间.相机变化,布构 Mixed miscellaneous books in the scene of the picture, saying clip painting section. When the Tang Dynasty has been hidden in the small print on the roots of stone, became the trend. Zheng Banqiao Qing Dynasty also often titled bamboo in the occasion of the occasion or blue stone. His books on “Mozhu Tu” are inscribed on the stone and integrated with the texture of the rock, both as inscriptions and as wrinkles and as a result of the actual situation and the unity of change. Pan Tianshou often hidden words in the stone flowers between the camera changes, fabric