因为有最负盛名的钢琴比赛的不断刺激,与四年前的肖斯塔科维奇、甚至是莫扎特诞辰纪念相比,今年的主角肖邦肯定具有更加广泛的受众群,不过这也意味着肖邦经历了更多的话语轰炸,有更多的大师、专家、乐迷、琴童在制造对肖邦的种种想象,以至于谁谈起肖邦及其作品都能寻章摘句、娓娓道来:有权威的点拨,也有草根的自白,一切似乎已经刻板定型,一切又都更加模糊不清。 Because of the constant stimulation of the most prestigious piano competition, this year’s protagonist Chopin certainly has a much broader audience than Shostakovich, even Mozart’s birthday, four years ago, but it also means Chopin After more discourses of bombing, more masters, experts, fans, and musicians are creating the images of Chopin, so that anyone who talks about Chopin and his works can find out and draw the line: With the authority of the call, but also grass-roots confession, everything seems to have been stereotypes, everything is more vague.