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从《媳妇的美好时代》到《咱们相爱吧》,都市剧一直是刘江深耕的类型。如何拒绝自我复制、将创作与生活的相似度松绑?是刘江个人的思索,也可对电视剧市场的创新有所启发。
From “a beautiful era of daughters-in-law” to “we love each other,” urban drama has always been a type of deep plowing in Liu Jiang. How to deny self-copying and to relax the similarity of creation and life? It is Liu Jiang’s personal thinking, but also inspired the TV drama market.