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成都汉字美术馆,成都“汉字结构”是为成都巡遥汉字美术馆所作的设计。该设计的概念从甲骨文“馆”字(“馆”同“官”)开始构造出最初的立面并从此处向后延展。这个设计的独特之处在于:通常的折叠结构都是从水平方向开展折叠运动,而该设计是在立面的竖向展开的。联系到设计的主题,中国的文字源远流长,在不同的时代汉字都有着相应的变化。因而将美术馆的正立面与甲骨文的“馆”字在形态上联系起来,并在立面后面连续的折叠运动中阐释了其后汉字字形上的变化,金体、小篆、隶书、楷书、行书、草书等。该设计将“美术馆的”馆“字的音,形,意层层分解在折叠结构之中。这个设计也展现了折叠结构并非是反传统的前卫建筑,它用它自身的方式表达对文化与文脉的认同。
Chengdu Chinese Museum of Art, Chengdu ”Chinese Character Structure “ is a design made for the Chengdu Yao Chinese Museum. The concept of the design begins with the inscription ”Inscription“ (”pawn“) and constructs the first façade and extends backwards from there. What is unique about this design is that the usual folding structures are all folded horizontally from the horizontal, and the design unfolds vertically. In connection with the theme of design, the Chinese language goes back to ancient times and has corresponding changes in different times of Chinese characters. Therefore, the front facade of the art gallery is linked with the shape of Oracle’s ”Pavilion“, and the subsequent movements of Chinese characters are illustrated in the folding movement behind the facade. Gold, Xiaozhuan, official script, Regular script, OK book, cursive script and so on. The design decomposes the sound, shape, and meaning of the ”Museum“ of the ”Art Museum" into a collapsed structure that also shows that the collapsed structure is not an anti-traditional avant-garde architecture that uses its own way Expression of cultural and cultural identity.