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路翎20世纪40年代小说呈现出“悲”“狂”审美风格,既源于路翎青年个性的影响,也带有“五四”鲁迅传统的印痕;既有时代风云浓墨重彩的,染,也有流派风格潜移默化的推动;既有西欧自由主义思潮的催生,也是俄苏爱国主义思潮的促成。多重文学语境的共同作用使小说呈现出既听命于时代又执着于个人,既带有浓厚的政治意识形态色彩又坚守艺术阵地,既狂躁突兀又悲壮苍凉的特征。复杂特征的呈现使得路翎这一时期的小说创作在20世纪中国文学史上成为一种醒目的存在,留下了富有启示性的经验和教训。
In the 1940s novel, Luling’s aesthetic style of “Sadness” and “Madness” originated not only from the individuality of Lu Ling’s youth, but also from the traces of Lu Xun’s tradition of “May Fourth Movement” An emphasis on quality, dyed, but also the subtle influence of genre-driven; both Western liberalism trend of birth, but also contributed to the Russian-Soviet patriotism. The common role of multiple literary contexts makes the novel show the characteristics of being obsessive, tragic and desolate, both in command of the times and in the individual, with a strong political ideology and an art position. The emergence of complex features makes Luling’s novel creation in this period a striking presence in the history of Chinese literature in the 20th century, leaving richly inspired experiences and lessons learned.