苏东坡是唐宋时期尊重诗骚传统的一个代表人物，他提出了《诗经》全部作品都“近于人情”的新见，由此初步发现了《诗经》审美价值之主体所在；他对“兴”的手法作了深层揭示，可谓前无古人而后启来者；他还超越比兴说的范围，总结了《诗经》的某些创作经验；他在总体上强调学习和继承诗经的艺术传统。同时，东坡论诗学传统也有其负面，本文亦有所涉及。 Su Dongpo was a representative who respected the tradition of poem poem in the Tang and Song dynasties. He proposed some new ideas of “near human feeling” in all works of the Book of Songs. From this, he initially discovered the subject of the aesthetic value of The Book of Songs. He also goes beyond the scope of Beixing and summarizes some of the creative experiences of The Book of Songs. He generally emphasizes the study and inheritance of the Book of Songs’ artistic tradition. At the same time, Dongpo’s poetic tradition also has its negative aspects, which is also covered in this article.