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黑龙江地域山水画的发展始于建国后,目前尚处初级阶段,远未形成旗帜鲜明的山水画流派。但其近年来发展势头强劲,佳作频现。其从自身独特的地域题材出发,坚持多元文化共同吸收的艺术态度及审美取向,不但为东北地域山水画的整体发展做出了贡献而且还在明确自身艺术风格的目标上逐渐理清了头绪。其自身独特的艺术风格在其表现题材、笔墨语言、造型原理、审美思想等方面初露端倪,且处处流露出强烈的地域性特征。表现题材及语言符号的多样性特征和造型原理及审美思想的舶来文化特征都促成了黑龙江地域山水画风格的形成。
After the founding of the People’s Republic of China, the development of regional landscape painting in Heilongjiang Province is still in its infancy, far from forming a clear-cut landscape school of landscape painting. However, its development momentum is strong in recent years, masterpieces frequently appear. Based on its own unique geographical theme, adhering to the artistic attitude and aesthetic orientation of multi-cultural absorption, not only contributed to the overall development of landscape painting in Northeast China, but also gradually cleared out the clue of its own artistic style. Its own unique artistic style has its own clues in its performance theme, pen and ink language, styling principle and aesthetic thought, and reveals a strong regional characteristics everywhere. The diversity of characters, styling principles and the exotic cultural features of the aesthetic themes all contributed to the formation of the regional landscape painting in Heilongjiang Province.