中国设计理论的研究,如果追溯到改革开放以来关于设计理论及设计批判的历史,我们不难发现一个问题就是除了极少数的成功案例以外,可以说是一个缺少本土文化民族信息的历史,虽然这个时期也涌现了一些优秀的设计作品,但是现在看来明显没有创新意识,从事他们的艺术创作或是为了政治或者为了名声或是为了名誉金钱,其中丧失自我理论及其对本土文化缺乏执着应该是根本的原因。就现代的设计风格同样存在着这样的问题,多数人还是被西方的设计思路所左右,设计理念缺乏中国韵味的体现。重建我们的理论框架是解决当今设计的根本途径之一。 If we go back to the history of design theory and design criticism since the reform and opening up, one of the problems we can find in the study of Chinese design theory is that there is a history of lacking of local cultural and ethnic information except for a few success stories. Although this Some excellent works of art also emerged in the period, but now it seems clear that there is no sense of innovation, engaged in their artistic creation either for politics or for fame or for honor money, of which the loss of ego theory and its lack of dedication to native culture should be the basic reason. The same is true of the modern design style of such problems, the majority of people are still left by the Western design ideas, the lack of design concept reflects the Chinese flavor. Rebuilding our theoretical framework is one of the fundamental ways to solve today’s design.