由于胡倒戈的视频短片由一起媒介事件升格为一起政治事件,从而使以往模糊的问题得以呈现:首先,《闪闪的红星》并非严格意义上的经典之作,而是“三突出”影响之下的产物。其次,“红色经典”经过大众文化的商业命名和主流文化的重新确认之后获得了一种合法性和政治正确性,却因此穿越了价值判断的防线而变成了一种“保护措施”。第三,“恶搞”作为一种亚文化形式,不经意间打破了这种“保护”格局,同时还使主流文化陷入一种扑空的尴尬。因此,可以把红色经典被恶搞看作是红色经典在“去博物馆化”过程中所面临的必然遭遇。在当下的格局中,可能只有通过对话,才有助于消除文化样式之间的紧张关系。 As Hu’s video clips were upgraded from a media incident to a political one, the obscure issue was presented. First of all, “Sparkling Red Star” is not a classic in the strict sense but a “three prominent” influence Under the product. Second, “red classics” gained legitimacy and political legitimacy after the commercial naming of popular culture and the re-confirmation of mainstream culture, and thus crossed the line of defense of value judgments into a “protective measure ”. Thirdly, as a sub-cultural form, “spoofing” inadvertently breaks this “protection” pattern and at the same time emboldens the mainstream culture in an air of embarrassment. Therefore, the red classics can be seen as the inevitable encounter of the red classics in the “de-museumization.” In the current situation, dialogue may only help to eliminate the tension between cultural styles.