论文部分内容阅读
在解放后评剧的发展史中,具有里程碑式的重大变化就是男生唱腔的革新与发展,这一深刻的变化令评剧产生了质的飞跃,使评剧从半班戏的小剧种跨入了大剧种的行列。在这场评剧的革命中,体现了改革者的设想,完成了创作者的意愿,并亲身投入到这场变革当中的一位重要的人物就是著名的评剧表演艺术家——马泰。 解放以后,评剧《刘巧儿》、《小女婿》扬起了妇女解放的大旗,率先在戏曲界掀起了表现新生活的热潮。评剧善于表现现实题材的优长被得以充分地挖掘和重视。但是,评剧受其“三小”(小旦、
After the liberation of Pingju in the history of the development, a major change has been a milestone major reform and development of male singing, this profound change has made a qualitative leap in the Pingju drama, the Pingju drama from a small drama into a big drama The ranks. In the revolution of the Pingju Opera, one of the most important figures who embodied the reformers’ ideas, completed the wishes of the creators, and made himself involved in this revolution is the famous Pingju performing artist - Matai. After the liberation, the commentary “Liu Qiaoer” and “little son-in-law” raised the banner of women’s liberation and took the lead in setting off a new wave of performance in the field of drama. Pingju is good at expressing the reality of the subject matter has been fully tapped and valued. However, Pingju by its “three small” (small,