论文部分内容阅读
近百年来中国山水画由古典向现代形态转型,取得了相当大的发展和成就。特别是改革开放以来西方艺术思潮的输入,对中国文化和美学思想当代转向起着促进的作用,这种因素为当下山水画提供了新的体验,即山水画在传统和当下碰撞中与时俱进。在20世纪中后期形成了以黄宾虹、傅抱石、李可染等为代表的艺术高峰。到80年代山水画的题材更加开阔,笔墨形式与表现技
Over the past hundred years, Chinese landscape painting has been transformed from the classical to the modern one and achieved considerable development and achievements. Especially since the reform and opening up, the input of western artistic thoughts plays an important role in promoting the contemporary turning of Chinese culture and aesthetics thought. This kind of factor provides a new experience for current landscape painting, that is, landscape painting keeps pace with the times in the collision between tradition and present. In the middle and late 20th century, the art peak represented by Huang Binhong, Fu Baoshi and Li Keran was formed. By the 1980s landscape painting themes more open, pen and ink forms and performance techniques