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一、南北二宗说中国山水画自唐宋始,经过一千多年的发展,逐步走向了成熟,并自成体系。五代之后,中国居于画坛的主流地位。中国画史上曾出现五代四大家——荆浩、关全、董源、巨然,北宋四大家——李成、范宽、郭熙、王洗,南宋四大家——李唐、刘松年、马远、夏圭,元四大家——黄公望、吴镇、王蒙、倪瓒,明四大家——沈周、文微明、唐寅、仇英,清四王、四僧及近现代的张大千、黄宾虹、傅抱石、李可染,他们都是以山水画为建树而称雄画坛的。山水画在中国人的心目中为什么有这么重要的位
First, the two cases of South and North China that Chinese landscape painting since the beginning of the Tang and Song Dynasties, after a thousand years of development, and gradually mature and self-contained system. After the Five Dynasties, China resided in the mainstream of the painting scene. Four Generations of Four Generations in Five Dynasties - Jing Hao, Guan Quan, Dong Yuan, Ju Ran and Northern Song Dynasties - Li Cheng, Fan Kuan, Guo Xi, Wang Xi and Four Members of the Southern Song Dynasty - Li Tang, Liu Songnian, Ma Yuan, Xia Kyu, Yuan, four people - Huanggong Wang, Wuzhen, Wang Meng, Ni 瓒, Ming four people - Shen Zhou, Wen Wei Ming, Tang Yin, Qiu Ying, Qing Siwang, four monks and modern Zhang Daqian, Huang Binhong, Lee can dye, they are all landscape painting for the sake of building the altar. Why landscape painting in the minds of Chinese people have such an important place