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总体而言,朱振庚很难将自己寓于某种一定的风格或样式的作品之中,几十年来,他始终随着其个人的绘画感觉游走。敏于发现,让朱振庚在他的绘画历程中保持了一种游牧特性。这种特性形象化的说法,就是左手“拿来”、右手“改造”。洋的、土的、古代的、现代的、设计的、摄影的等等,只要足以诱发画兴,朱振庚都会“拿来”加以“改造”成自己的东西。这样的结果就是朱振庚的作品不具有惰性,始终洋溢着种“活泼泼”的自由的生命意志。朱振庚正是以自己作品鲜活的品质
In general, it is very hard for Zhu Zhen-geng to find himself in a certain style or style of work, and for decades he has always traveled with his personal drawing. Sensitive to discover, let Zhu Zhengeng in his painting process to maintain a nomadic character. Visualization of this feature is the left hand “used ”, right hand “remodeling ”. Foreign, native, ancient, modern, design, photography and so on, as long as enough to induce the painting Hing, Zhu Zhengeng will be “used” to “transform” into their own things. As a result, Zhu Zhengeng’s works are not inert, they are always filled with the free will of life. Zhu Zhen Geng is the fresh quality of his work