论文部分内容阅读
初看《潜伏》片名,还以为又是一部紧随《暗算》之类的跟风之作。但剧情伊始,随着镜头触角的延伸、剧情深度的发展,这部戏所展示的抗日战争结束前夕以及国共内战期间国、共、日、伪、外国势力、黑社会之间复杂变化的斗争,却是独辟蹊径,梅开二度,明线暗线纵横交错,真爱假情柳暗花明,悬念包袱波澜迭起,情节铺设险象环生。它既有对之前一系列牒战剧在故事覆盖面、复杂性等方面的补充,也有内涵上的拓展,更有表现手法的创新和人性禁区的突破,可谓亮点频闪。
At first glance, “latent” title, but also that it is followed by a “plot” like to follow suit. However, at the beginning of the story, with the extension of the lens tentacles, the depth of the plot, the eve of the anti-Japanese war demonstrated by this play and the complicated struggle between the national, communist, Japanese, pseudo-foreign forces and triads during the period of the KMT-CPC civil war Is inventive, scalp twice, bright lines criss-cross the line, true love, vista, the burden of suspense fluttering waves, the laying of the plot danger. It not only complements the series of war drama in coverage and complexity of the story, but also expands its connotation, innovates the performance method and breaks the humanity forbidden zone.