出于政治与宗教的原因,理查·施特劳斯的《莎乐美》到20世纪初才迟迟搬上巴黎和伦敦的舞台,但却引发了歌剧爱好者的极大兴趣。在频繁的排演过程中,鲁宾斯坦熟记了全剧的总谱,以私人家庭音乐会等多种形式,用钢琴与人声来演绎《莎乐美》。他从这段音乐生活中得到了丰富多彩的艺术体验。 For political and religious reasons, Richard Strauss’s Salome was slow to move onto the stage of Paris and London by the early twentieth century, but it aroused great interest among opera lovers. In the rehearsal of his rehearsal, Rubenstein remembers the score of the play, interpreting “Salomé” with pianos and vocals in a variety of forms, including private home concerts. He got rich and colorful artistic experience from this music life.