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“轻罪”是巴尔提·卡尔在中国的首次个展,其最有代表性的作品都悉数到场。这个令人吃不准的展览标题对应的是参观者一进门撞上的鬣狗(的屁股),它站立在布展常用的滚轮木板车上,从六根木条上回望,身披一块随意毛皮,极不信任地迎接观众,在稍远处照壁上一团焕发的光晕(《病毒之五》)烘托下令人略有不安。如把“轻罪”泽成“行为不轨”可能会更直接且富于野趣,也会给美术馆所在的这栋如今过于干净的亚洲文会大楼制造出一些压力。
“Misdemeanor ” is Balti Karl’s first solo exhibition in China. His most representative works are all on stage. This unacceptable exhibition title corresponds to the hyenas (buttocks) where visitors hit the door, standing on the wheelbarrow used in the show, looking back from six wooden posts, wearing a random fur, Trustfully welcomes the audience, slightly disturbed by the glow of a glow (“Viral Five”) on the wall at a distance. Such as “misdemeanor” Zecheng “misconduct ” may be more direct and rich, will also create some pressure on the now too clean Asian literary building where the museum is located.