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在中国当前美学之中,“圆”是古老的,主要蕴含着圆润、流程、美满的意思,对宇宙事物的圆整有着一定的象征意义,反映出人间事物的圆满,早在我国唐代张志和所著的《空洞歌》就有一句:“无自而然,自然之元;无造而化,造化之端。”表明了圆之形状是造化自身最原始的面貌。以此中国古典舞就有了“圆”作为审美上的标准,这也是中国人历史五千年以来哲学思想和审美价值观自身的决定,“圆”代表着中国人传统思维和传统文化,是传统艺术的审美核心。对于中国历史的不断发展,与时俱进,在今天的民族舞蹈上与“圆文化”有了很多的相同点,都是在审美艺术上主张圆满的取向。
Among the current aesthetics in China, “round ” is ancient and contains mainly the meaning of mellowness, flow and contentment. It has some symbolic significance to the roundness of things in the universe and reflects the fulfillment of human things. As early as in our country, Tang On behalf of Zhang Zhihe’s “hole song” there is a sentence: “No natural, natural element; no creation, the end of the good fortune. ” It shows that the shape of the circle is the most primitive appearance of good luck. As a result, Chinese classical dance has “round ” as its aesthetic standard, which is also the decision of Chinese people’s philosophy and aesthetic values since the 5,000 years of history. “Round ” represents the Chinese traditional thinking and tradition Culture is the aesthetic core of traditional art. With regard to the continuous development of Chinese history, advancing with the times, there are much in common with “round culture ” in today’s national dance, all of which advocate a successful orientation in aesthetic art.