无论宋金杂剧、院本的演出之盛,还是作为元杂剧创作、演出的中心之一,以及作为山陕梆子的发源地与重要传播地,山西都在戏曲史上留下了浓墨重彩的一笔。但是,明清时期盛极一时、流布全国的昆曲,作为外来剧种,在山西的传播情况却因为记载零散而不甚清晰。本文通过对明清时期昆曲在山西传播的文献资料的考述,探讨昆曲传入山西的时间、昆曲在山西的传播方式、昆曲与山西观众等问题,试图廓清明清时期昆曲在山西传播的历史面貌。 Regardless of the Song and Jin drama, Yoshinobu performance Sheng, or as a Yuan Zaju creation and performance center, as one of the birthplace of Shanxi Shanzi and an important place of communication, Shanxi has in the history of opera left a thick ink. However, in the Ming and Qing Dynasties, when the music spread throughout the country was extremely popular, as a foreign operas, the spread in Shanxi was not as clear as the record. This article attempts to clarify the history of the spread of Kunqu Opera in Shanxi during the Ming and Qing Dynasties by examining the literature and materials of Kunqu Opera in Shanxi during the Ming and Qing Dynasties, discussing the time of the introduction of Kunqu Opera in Shanxi, the way of spreading Kunqu Opera in Shanxi, Kunqu Opera and Shanxi audiences. face.