中国当代绘画有待于给出新的贡献,而绘画离不开基本的色彩与形式。进入现代性以来,自从塞尚开始,颜色本身的塑造性几乎已经取代“形式”成为绘画最为核心的要素。如果一个艺术家能够以色彩来综合,即结合塞尚后期印象派的互补色,抽象绘画的色彩构成,尤其是面对后来黑白单色绘画导致绘画终结的严重后果,还能够把中国绘画的色感带入绘画,这个画家必然有着新的贡献。即一旦我们清理已有的各种颜色体系,一方面,是 Chinese contemporary painting needs to be given new contributions, and the painting is inseparable from the basic colors and forms. Since the beginning of modernity, since the beginning of Cezanne, the shaping of the color itself has almost replaced the “form” as the most essential element of painting. If an artist can synthesize with color, that is, with the complementary colors of the Impressionists in Cezanne and the color composition of abstract paintings, especially in the face of the serious consequences of the later termination of painting resulting from monochromatic black and white paintings, Into painting, this artist must have a new contribution. That is, once we clean up all the existing color systems, on the one hand, yes