友人以编剧为正业,数月不见其人,据说在写剧本。近日偶遇于途,料定大器已成,才会出门松动,忙趋前祝贺。谁知他连连摇头:‘写不下去,太难了。’我颇惊讶:‘这题材你已写过小说,熟得很,写剧本也不是新手,何以如此之难?他说:‘现在写戏之难不在戏本身,而在戏之外。这次碰到的问题是凡出场人物都得有点戏,太少了还不行。否则,没演员肯接。可是我这戏里有个群众场面是必需场面,否则戏就不真实,就没气势了。再说,谁不知道戏里凡有小姐就得有丫鬟,有主帅就有马弁,有总统就有保镖。先得为丫鬟、卫兵、保镖找戏,这怎么写呀?!’ Friends of the screenwriter for the industry, a few months no one was said to be writing the script. Recently encountered in the way, expected to set the amplifier has become, will go loose, busy pre-congratulations. Who knows he shook his head again and again: ’can not write, so hard. ’I was quite surprised:’ You have written a novel on this subject, and you are well versed in writing and writing a script is not a novice. Why is it so hard? He said: ’Now the difficulty of writing is beyond the play itself. The problem encountered is that all the characters have to play a little bit too little is not enough. Otherwise, no actor willing to take. But I have a scene in this movie is a must-see scenes, or the show is not true, there is no momentum. Besides, who do not know the theater who have a maidservant have a maid, a coach has a stirrup, a president there is a bodyguard. First served as maidservants, guards, bodyguards to play, how to write it ?!