纵览中国陶瓷艺术史,早期瓷器出现时是一种青瓷.当发展了许多年后,陶工们掌握了除去胎和釉中铁成份的技术而烧制出了白瓷.在唐代通常说邢白越青,即邢窑的白瓷,越窑的青瓷,这是当时陶瓷的主流.时至宋代,宋人则在这青白之间,制造出了黑瓷.从陶瓷工艺上看,一方面是尽量除去胎釉中铁的成份,以致生产出白瓷,另一方面则是增加铁的成份,使其青色达到极限.从色彩角度分析,黑和白做为颜色是一种终极,它们是最单纯的,可以说没有色彩.然而,宋人就在这终极的黑釉上,创造出了丰富多采的油滴、兔毫、鹧鸪斑等铁结晶的瓷器品种,表现了含 A glance at the history of Chinese ceramic art, when early porcelain appeared, was a celadon, and when developed for many years, the potters mastered the technique of removing the iron from the tire and the glaze and fired white porcelain, That is, the white porcelain of Xing kiln, the celadon of Yue kiln, which was the mainstream of ceramics at that time.From the Song Dynasty, the Song Dynasty was in this blue and white, to create a black porcelain.From the ceramic technology point of view, on the one hand try to remove the tire Glaze iron composition, resulting in the production of white porcelain, on the other hand is to increase the iron composition, so that the blue to the limit.From the color point of view, black and white as the color is an ultimate, they are the most simple, you can Said no color, however, Song people in this ultimate black glaze, creating a rich and varied oil droplets, rabbit cents, partridge spot and other iron crystal porcelain varieties, showing the