(接上期)(六)弹琶音时,如何进行手腕的训练?由于琶音中音与音之间的跨度比音阶大,因此对于手腕的动作提出更高的要求。弹音阶时,大指转指的方法同样适用于琶音的弹奏,大指可以在二指或三指弹下之后转指,问题在于转指的同时需要手腕有一个横向移动的动作,帮助力量自然地往下一个手指传递,同时也帮助大指自然地移动。 (Connected to the period) (f) Arpeggio, how to train your wrist? As arpeggios midrange and sound span is larger than the scale, so for the action of the wrist put forward higher requirements. When playing a scale, the method of pointing to the middle finger also applies to the arpeggio playing. The big finger can be turned under the two fingers or three fingers. The problem is that the finger needs a lateral movement to help the fingers Power naturally passes on to the next finger, and also helps move the big finger naturally.