我认为现代水墨存在着三个问题,现作陈述如下: 首先,我们缺少一个宽容、生动、豁达的学术空间。这直接反映在出版物——特别是专门介绍中国水墨画的刊物,由于主管者的武断、简单、浅薄,缺乏以科学的态度来分析时代背景所带来的当下变革,而对现代水墨这一事实完全持一种绝对排斥和不能容忍的态度。其实我们都知道“百花齐放、百家争鸣”一直是文艺工作的指导精神。另外,随着开放和国际交流的日益增多,更多的中国艺术家意识到在国际艺术活动中“西方中心主义”的存在。现代水墨艺术家在这种挑战面前,逐渐培育出一种东方的、有着深厚传 I think there are three problems in modern ink painting. I will make the following statement: First, we lack a tolerant, vivid and open-minded academic space. This is directly reflected in the publications - especially those publications devoted to Chinese ink painting. Due to the arbitrary, simple and superficial nature of the supervisors, and the lack of a scientific analysis of the current changes brought by the background of the times, Completely an attitude of absolute exclusion and intolerance. In fact, we all know that “all flowers bloom and all schools contend” has always been the guiding principle of literary and art work. In addition, with the increasing opening up and international exchanges, more Chinese artists are aware of the existence of “Western centralism” in international artistic activities. Modern ink artists in the face of this challenge, and gradually cultivate a kind of Eastern, has a profound biography