“幽玄”属于日本古典文学论的审美理念,是日本中世文学理念的核心,佛典和汉籍将“幽玄”解释为深奥之意,而在艺术理论中“幽玄”则被视为飘渺的难以捕捉之美。本文从能乐舞台布景、能乐舞台道具、能乐舞台道具方面探讨所体现的“幽玄”之美。 “Secluded ” belongs to the aesthetic concept of Japanese classical literature theory, is the core of Japanese medieval literature concept, Buddhist and Chinese to “secluded ” interpreted as esoteric meaning, and in the art theory As misty difficult to capture the beauty. This article discusses the embodied “secluded ” beauty from the stage of NOL stage, the stage of NOL stage and the stage of NOL stage.