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托尔斯泰的《安娜·卡列尼娜》对于后世的影响可谓历久弥新,艺术家木心曾高度评价说:“全书前前后后什么都是艺术”。在当下的小说中,不管是人物的塑造,灵魂的关注,还是时代的洞察,哲理的思考,我们都可以毋庸置疑地说,北村的《愤怒》也是一部“什么都是艺术”的小说。两部小说从慎独情结出发,以悲天悯人的情怀对不同社会和城镇化变革进程中不同阶层和人物的灵魂浮沉进行了深入描写,试图追寻全球伦理和本真回归。本文就此尝试进行一些粗浅的探讨。
Tolstoy’s “Anna Karenina” can be described as lasting impact on future generations, the artist Mu Xin has highly praised: “Everything before and after the book is art.” In the current novels, no matter whether it is the characterization, the attention of the soul, the contemplation of the times or the philosophical thinking, we can say without doubt that Kitamura’s “anger” is also an “art of everything” Fiction. Starting from the cautiousness and indulgence, the two novels depict, in a compassionate and compassionate spirit, the depiction of the ups and downs of different social strata and people in different social and urbanization processes in an attempt to pursue global ethics and genuine return. This article attempts to do some superficial discussion.